Where is bathing beauties or beefcake located

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After various duets and cavorting among the Gigolos and Poules (molls), Perlouse is left beached: the Beau Gosse (handsome kid) dives and swims away. They do not have star quality, but they are tremendously appealing in their beach boy-beach girl encounter, and prankishly lock up the athletes in cabanas. Michael Lowe, bounding out in Dolin's first famous tumbling solo and then diving into a hidden trampoline of a sea, and Abra Rudisill, as his plotting counterpart in pink, are Beau Gosse and Perlouse. Slow motion is often used here as a dramatic device.

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As Andre Shaikevitch, a French-Russian critic noted, Nijinska's inspiration may have come from medieval and Byzantine art, but she knew how to contemporize this stylization. The men and women, deliberately placed in chorus lines and pinup poses, are also positioned in the profile frieze patterns that are Nijinska's trademark. In this sense, the attempt to reconstruct the spirit of Nijinska's choreography after the 1925 London performances incorporating Cocteau's modifications is interesting. But the way to look at ''Le Train Bleu'' today is to appreciate it as a historical curiosity. Such moments are responsible for the fun and success of the production. He crosses his golf club with her tennis racquet.

The golfer and tennis champ settle their lovers' quarrel, in any case, in a fencing duel. Would an audience 66 years from now understand a ballet whose characters are modeled on Donald and Ivana Trump? These references, even if culled from a book, are no longer sharp or meaningful. Will the audience recognize today that Susan Taylor's appealing, crisp, no-nonsense performance as a Tennis Champion alludes to the French champion Suzanne Lenglen, and that Don Schwennesen, just as outstanding as the reserved Golfer in knickers, was modeled upon Edward, Prince of Wales? The men in Chanel's black tank-top suits and the women in maroon and brown with bathing caps (the production's costumes realized by Mario Alonzo and Dale Foster) put on sunglasses in unison when they look up at the sky, and the invisible plane drops leaflets on the beach. An airplane of any sort was so novel that the passage of an invisible plane constitutes one of the main events in this ballet. These were to sports and society personalities of the time, especially to jet-set mores in an epoch when there were no jets. The crucial problem they faced was inherent in the very kind of ballet they tackled: ''Le Train Bleu'' is filled with references audiences may no longer find interesting or funny. Ries, a Cocteau scholar who teaches at the University of California at Santa Barbara. The Oakland production has been reconstructed and staged with meticulous attention to detail, taste and style by Irina Nijinska, Bronislava's daughter, and Dr. Robbins's masterpiece of a bathing-beauty ballet in the musical ''High-Button Shoes.'' Jerome Robbins, for instance, never saw ''Le Train Bleu.'' But its legacy has seeped into the generic artistic consciousness, and without its precedent, there might not have been Mr. It was an experiment in introducing new ideas and new movement into the art form and as such it served its purpose. ''Le Train Bleu,'' then, was one of Diaghilev's disposable ballets.

Experiments, for their part and by their very nature, also rarely last. But its deliberate simplicity and references to the fashions of the day are reproduced here with shrewd sophistication. ''Le Train Bleu,'' with its bathing beauties and beefcake showoffs, looks nothing if not chic. The Oakland Ballet, which presented the revival in California in November, gave the eagerly awaited East Coast premiere on Saturday night at the Staller Center for the Arts, at the State University at Stony Brook, L.I. It is this big-name production hitherto relegated to the history books that has been pieced together from various written and visual sources for the first time since its last performance in 1925. ''Le Train Bleu'' (''The Blue Train'') had choreography by Bronislava Nijinska, a front curtain by Picasso, commissioned music by Darius Milhaud, costumes by Coco Chanel and sets by the sculptor Henri Laurens. In 1924, Diaghilev's Ballets Russes presented the premiere of Cocteau's ballet. As a rule, ballets conceived by Jean Cocteau did not resemble ballets, and ''Le Train Bleu,'' which has now received a major and engaging reconstruction job from the Oakland Ballet, is no exception.Д¬octeau, poet and polymath, suggested to Serge Diaghilev a ''danced operetta'' that would take place on a beach and incorporate athletics.